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Very Bad Men, by Harry Dolan
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From the national bestselling author of Bad Things Happen—the debut that Stephen King called a “great f***ing book”—comes a new crime novel that will blow readers away…
ANTHONY LARK has a list of names—Terry Dawtrey, Sutton Bell, Henry Kormoran. To his eyes, the names glow red on the page. They move. They breathe. The men on the list were once involved in a notorious robbery. And now Lark is hunting them, and he won’t stop until every one of them is dead.
DAVID LOOGAN—editor of the mystery magazine Gray Streets—is living a quiet life in Ann Arbor, Michigan, with Detective ELIZABETH WAISHKEY and her daughter. But soon David and Elizabeth are drawn into Lark’s violent world. As Elizabeth works to track Lark down, David befriends Lucy Navarro, a reporter with a crazy theory about the case that threatens to implicate some very powerful people. And when Lucy disappears, David decides her theory may not be so crazy after all
- Sales Rank: #410259 in Books
- Brand: Brand: Berkley
- Published on: 2012-07-03
- Released on: 2012-07-03
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .90" w x 5.50" l, .75 pounds
- Binding: Paperback
- 432 pages
- Used Book in Good Condition
Review
"A twist-filled adventure…The characters in this engaging work are full of surprises."
-- Wall Street Journal
“Very Bad Men is the mystery of the summer—totally top-shelf…Simply great storytelling."
-- San Antonio Express-News
“Like Dolan’s notable debut, Bad Things Happen, this [is a] cleverly plotted, hard-boiled tale."
-- Minneapolis Star Tribune
“The rare crime novel with something for everyone who reads crime fiction.”
-- Kirkus (starred review)
About the Author
Harry Dolan is the bestselling author of Bad Things Happen. He graduated from Colgate University, where he majored in philosophy and studied fiction-writing with the novelist Frederick Busch. He grew up in Rome, New York, and now lives in Ann Arbor, Michigan, with his partner Linda Randolph.
Most helpful customer reviews
21 of 22 people found the following review helpful.
"We all need to own our actions."
By E. Bukowsky
David Loogan lives in Ann Arbor, Michigan, with his girlfriend, Detective Elizabeth Waishkey and her sixteen-year-old daughter, Sarah. Loogan edits a mystery magazine, and he has made the mental leap from writing and critiquing stories about crime to tracking down villains in real life. In Harry Dolan's latest novel, "Very Bad Men," David tells us a story that will explain "the motives people have for killing one another." As we will see, the reasons for taking someone's life can vary from a matter of convenience to a thirst for revenge. Loogan, who is a witty first person narrator, gets embroiled in his latest adventure when someone drops an unsolicited manuscript at his office, in which the anonymous writer confesses to committing murder and even provides the name of his next victim.
An emotionally disturbed individual has targeted particular men whom he believes must die; if he has to dispatch others who are not on the list, so be it. When Elizabeth and David become familiar with the case, they discover that it is far more complex than it at first appears. "Very Bad Men" involves a seventeen-year-old bank robbery, corrupt public officials, an aspiring senatorial candidate, and an ambitious young newspaper reporter who stirs things up.
Harry Dolan has created a large cast of characters, each of whom plays a role in what will turn out to be a Greek tragedy, Michigan style. The author is good with details: how to kill someone who is locked up in prison; what it is like to live with excruciating migraine headaches; a fine description of the landscape and inhabitants of Michigan's Upper Peninsula; and the tricks that tenacious journalists use to get their stories. Although the plot is ridiculously convoluted and not particularly believable, "Very Bad Man" is entertaining enough to hold our interest. As bodies pile up and events occur that shed new light on what is happening, David and Elizabeth decide to dig deeper into the past. They suspect that the slaughter will not stop until secrets that have been hidden for many years are finally revealed.
6 of 6 people found the following review helpful.
The second David Loogan novel
By TChris
Very Bad Men tells a very good story, an absorbing mystery with enough twists that you may need to take notes to keep track of the plot. Someone is trying to kill the participants in a bank robbery that occurred seventeen years earlier. We are well into the novel before the police discover the killer's identity, but this isn't a whodunit: the reader knows from the start that Anthony Lark is the culprit. What we don't know is why Lark is after the robbers. Investigating the mystery are David Loogan, the editor of a mystery magazine; his law enforcement girlfriend, Detective Elizabeth Waishkey; and Lucy Navarro, a persistent tabloid reporter. Rounding out the cast are the wheelchair-bound former sheriff who caught a bullet while foiling the bank robbery, his daughter Callie who is running for a Senate seat (and with whom Lark is more than a little obsessed), Lark's psychiatrist, and Callie's father-in-law, an affable senator whose behavior is a bit loopy.
The mystery's solution seems to be tied to the getaway driver who fled when the robbery went sour. His identity presents a second mystery for Loogan and the police to ponder. When Navarro disappears a little more than halfway into the story, yet another layer of intrigue is added: Was Navarro kidnapped, and if so, by whom?
Lark is the novel's best character. He suffers from an affliction that imbues written words with color and causes them to move around on a page. He can handle Hemmingway's terse prose but Joseph Heller's abundant adverbs "swarm like marching ants." While unexpected traits like this bring many of Harry Dolan's characters to life, Waishkey is a typical police detective, less interesting than the novel's other players.
Dolan uses crisp, undemanding prose to construct an effective plot. We know that someone wants the truth to remain buried -- to that end, Loogan and Navarro are confronted with threats and attempted bribes -- but the puzzle surrounding the bank robbery kept me guessing to the end. Although it's not always easy to follow, the plot never becomes so convoluted as to slow the story's steady pace.
Loogan is no Sherlock Holmes. As he tries to puzzle out the solutions to the various mysteries, he's frequently wrong. That gives him a measure of credibility that is too often missing from the seemingly infallible armchair detectives who headline mystery novels. As unlikely as it might be for a mystery magazine editor to become embroiled in a mystery, Dolan concocts a believable excuse for Loogan's involvement.
This is the second David Loogan novel but the first I've read. It was strong enough to earn my recommendation and to encourage me to buy the first book.
4 of 4 people found the following review helpful.
7/8 of a Good Book, Ultimately Unsatisfying
By L. O.
MAY CONTAIN SPOILERS.
I purchased this book for Kindle after reading the free sample. Although this is apparently one of a series, I had not read any other work by this author, and was ignorant of him.
The plot is well-constructed, all the twists are more-or-less credible, with almost no deus-ex-machina or otherwise lame constructions. (The "coincidence" of the identity of the therapist borders on the unacceptable.) Unfortunately, the plot sort of just stops - it's like a roller-coaster ride that ends with the cars sitting still on a flat spot on the tracks.
Aristotle pretty well nailed it when he said that a plot should have a beginning, a middle, and an end. This one has a most unsatisfactory "end," if you can call it that. Perhaps this is the high art of anti-climax, and I fail to appreciate it, but it turned a first-rate plot, with decent movement, into mush.
Another quirk, although not much of a problem, is the shifting between first-person narration and an omniscient third-person. It's not as jarring as it could have been, but it still makes one wonder if there was a principle of organization behind it, other than the convenience of describing what Loogan, the narrator, could not know. It doesn't help. Again, maybe it's art.
More significant is a marked lack of character development. The reader learns things about the characters, but there are no recognitions, to borrow again from The Big A. None of them seem particularly real. The border on shorthand summaries, with the exception of Anthony Lark. Lark could have been a great character - as it is, he is very good, but falls short of greatness.
A better ending would have reduced the flaws to insignificance. As it was, it was quite enjoyable up to the soggy finish. That end detracted from the previous pleasure of the read. I might read this author again, but I would hesitate to spend this sort of money to do so.
After a few days' reflection, it becomes clear that the intensity of my negative reaction was that this should have been, could have been, and almost was, a great book. That it was not, due to the flabby ending, engenders aggravation far beyond that caused by something that never had the capability of rising above potboiler slag. It's like eating a delicate confection, only to be hit by an unpleasant aftertaste. Too bad.
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