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The Girl with the Crooked Nose: A Tale of Murder, Obsession, and Forensic Artistry, by Ted Botha
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MORE THAN THIRTY MURDERS, NINE FUGITIVES, AND ONE OBSESSED MAN
In this thrilling and fascinating account of Frank Bender and his work, readers will be drawn into the cases he has solved, the intricacies of his art, the colorful characters he encounters, and the personal cost of his strange obsession. Through breathtakingly realistic sculptures, Frank Bender reconstructs the faces of the missing and the dead based in part on forensic science, and in part on deep intuition, an uncanny ability to discern not only a missing face but also the personality behind it.
His skills have led to the solving of many murders and other serious crimes, and have given faces to the victims, including the infamous case of the feminicidios—in which hundreds of murdered women were found outside Juarez, Mexico.
With a conclusion as shocking as its story is gripping, The Girl with the Crooked Nose will haunt readers long after the last page is turned.
“A compelling glimpse into a gruesome profession.”—Simon Winchester, author of The Professor and the Madman
“Frank Bender is one of the unsung heroes of crime detection . . . In an original and highly readable nonfiction thriller, this book brims with authenticity and the complexities of crime-solving procedurals . . . [A] fascinating story of a brilliant forensic artist’s quest to solve some of the most baffling murder cases ever. It is exceptional crime writing that is timely and informative.”—Tucson Citizen
“Action-packed . . . Botha’s work relays Bender’s surprising conclusions about the case and imparts more information about reconstructing the faces of the dead than most readers will expect.” —Booklist
“[A] crackling account of a quirky, maverick forensics artist, Frank Bender, and his largely successful efforts in facial reconstruction of murder victims . . . What is extraordinary is Botha’s writing, with his unerring depiction of Bender’s painstaking work and the eventual unraveling of the brutal crimes it solves . . . The tales in this book accurately capture the dark motives and complexities of senseless murder, and even the most savvy true crime reader will not be able to resist the author’s insightful storytelling.”—Publishers Weekly
- Sales Rank: #1375235 in Books
- Published on: 2012-01-03
- Released on: 2012-01-03
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x 1.10" w x 5.60" l, .75 pounds
- Binding: Paperback
- 400 pages
From Publishers Weekly
There is a bewildering, frustrating quality in Botha's crackling account of a quirky, maverick forensics artist, Frank Bender, and his largely successful efforts in facial reconstruction of murder victims. The steady, no-nonsense approach of the author (Mongo: Adventures in Trash) is marred by the herky-jerky sequences of the narrative as he switches from Bender's hit-and-miss past triumphs to a monumental murder case south of the border in the sordid Mexican area near Ciudad Juárez, where about 400 women have been raped, tortured and killed. National and international recognition of Bender's uncanny skill grows, but the psychological toll wears on his home life and his interaction with authorities. What is extraordinary is Botha's writing, with his unerring depiction of Bender's painstaking work and the eventual unraveling of the brutal crimes it solves. Although Bender is not successful with every case, including the epic Mexican serial killings, the tales in this book accurately capture the dark motives and complexities of senseless murder, and even the most savvy true-crime reader will not be able to resist the author's insightful storytelling. 16 pages of photos. (May 13)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Into the burgeoning true-crime subgenre of forensic procedurals leaps Botha’s account of artist Frank Bender, who uncannily reconstructs murder victims’ faces from their decomposed and skeletal remains. So doing, he frequently provides police with very reliable information for pursuing at-large murderers. Botha writes with a sort of calculated manliness, even though he is given to such dramatics as slinging the occasional highly atmospheric description before naming, or even indicating the species of, the characters in a scene. Stylistic concerns aside, this action-packed overview of Bender’s career centers on a spirited rendition of how Bender reconstructed the facial features of several victims of an ongoing murder spree in Juarez, Mexico, in the early 1990s. Replete with tales of corrupt local authorities and various bureaucracies, plus an adroit description of Bender’s mounting suspicion that something unidentified is keeping him from solving the Juarez case, Botha’s work relays Bender’s surprising conclusions about the case and imparts more information about reconstructing the faces of the dead than most readers will expect. --Mike Tribby
About the Author
Ted Botha is the author of Mongo: Adventures in Trash, Apartheid in My Rucksack, and the novel The Animal Lover. He has written for numerous publications, including The New York Times, Los Angeles Times, The Wall Street Journal, Condé Nast Traveler, and Outside. He lives in New York City.
Most helpful customer reviews
15 of 15 people found the following review helpful.
In the name of the forgotten
By Luan Gaines
Although the primary focus of this book, the gruesome murders of low-income young women in Mexico, is never satisfactorily resolved, the author does a thorough job of introducing a fascinating character to the criminal investigation lexicon. Frank Bender, an unusual, driven man finds his passion in recreating the facial distinctions of victims by building plaster busts from the skulls of the deceased. Making his living in advertising photography, Frank takes sculpting classes to enhance his work; an artist since childhood, Bender uses his eyes and imagination to fashion the personal characteristics, the small tics and lines of individual faces. Then unexpected opportunity: Bender is brought into the cold rooms of a local Philadelphia coroner's department where he is challenged to recreate the facial features of a murdered woman for forensic identification, case number 5233. The die is cast- Frank Bender has found his purpose, committed his life to this amazing work.
Juggling photographic assignments with the cost-ineffective busts he creates for police departments, the FBI, US Marshals and America's Most Wanted, like any artist, especially one with a righteous cause, Frank's priorities are unbalanced by the amount of time he devotes to the higher cause. While this passion puts a strain on his home life and his financial security, there is a strong element of altruism in Bender's chosen field. When victims are recognized, criminals caught through Frank's unique application of art and forensics, families are given closure and murderers are brought to justice. Certainly, Bender is an exceptional individual, self-taught, confident and generous with his time, his mission a heady one when successful, painful when circumstances fail to support the evidence he offers to further such cases.
Botha does an excellent job introducing this character, reminding me of the addictive nature of such non-fiction. Throughout the book, Frank's reputation is built case by case, as identities are validated, cold cases solved and murderers reclaimed from the lives they have rebuilt after escaping the consequences of their violent crimes. Age progression is invaluable in Bender's work, perhaps as significant as giving human likeness to the skulls he carefully sculpts. But by far the most challenging and frustrating is Bender's time in Mexico, attempting to aid authorities in solving the murders of countless young women whose bodies have been found in Juarez and Chihuahua. In spite of his meticulous recreations, a majority of the busts remain unidentified (even the Girl with the Crooked Nose), due mainly to inefficient procedures and the bureaucratic warfare of the Mexican government. Over all, Botha paints a fascinating portrait of a dedicated man who literally changed the face of forensic investigation, a fine career in public service that is significant in its impact. Luan Gaines/ 2008.
4 of 4 people found the following review helpful.
Fascinating and Important
By PL
Ted Botha's book -- "The Girl With the Crooked Nose" -- is a thrilling account of the remarkable real-life adventures -- and remarkable life -- of forensic artist Frank Bender. The publication of this work fills a void that, for a long time, had been waiting to be filled.
The book succeeds on several levels. First, there is the "frame story," which concerns the mysterious disappearance and murder of hundreds of women in and around Juarez, Mexico. Bender is called in on the case and encounters a language which, after a while, becomes far more difficult for him to understand than Spanish: something mysterious, deceptive, altogether unnerving -- and dangerous. Ultimately the symbol of this convoluted and heartbreaking exploit is the Girl With the Cooked Nose, whose skull -- like those of the other murdered girls -- needs a face and a name.
On another level the book is about Frank Bender himself; and in moving back and forth between the present-day Juarez story and his biography, the fascination does not let up. This subject is in itself a valuable account on its own: his first exposure to forensics (a word he did not even know), his first (and incredibly successful) attempt to bring face to a skull and each elaborately different case thereafter, always working (like Sherlock Holmes) as a uncannily gifted "amateur" or bohemian "outsider"; the development of his approaches and all the interesting professional connections he makes as well as the macabre, touching scenarios that develop -- all these elements form an engaging catalog of one person's personal quest. To Botha's credit, the writer never depicts gore gratuitously but only as need to understand a case or the emotional reaction to a discovery.
In addition, students of forensic science will relish this book not only for the subject matter itself, of course, but for the insights into Bender's actual technique and his thought process -- his early uncertainties, his triumphs, his nightmares and his relationship with the nameless victim whose identity he must help uncover.
All in all, this is a fascinating and important work, not only because it deals with the tragic Juarez murders and with forensics but because it gives insight into the singular personality of Frank Bender. Not an easy person to profile, he is genuinely worth this kind of detailed treament.
0 of 0 people found the following review helpful.
Interesting look at a remarkable artist
By Purple Passion
Very intriguing look into the world of a forensic artist, the amazing Frank Bender. After I read "The Murder Room" by Michael Capuzzo (which I also recommend) about the Vidocq Society of which Frank was one of the founders, I was happy to see this book would focus on Frank's incredible ability to put a face on a skull or do an age-progression on a fugitive. The stories of the victims that Frank worked on are truly horrific and heartbreaking. The skulls of the murdered girls from Mexico are especially poignant because most have never been identified due in large part to the ineffective bureaucracy of their government. This book is a fascinating look into the mind of a remarkable man who gave faces to the forgotten.
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