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Killing Critics (A Mallory Novel), by Carol O'Connell
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NYPD sergeant Kathleen Mallory, a wild child turned policewoman, possessed of a ferocious intelligence and a unique inner compass of right and wrong, is about to be sorely tested.
Killing Critics begins with a discreet murder - the almost unnoticed death of a hack artist at a gallery opening - but quickly connects with a much more brutal crime - a twelve-year-old double homicide and dismemberment originally investigated by Mallory's now deceased adoptive father, Louis Markowitz. A quick confession ended that case, but as Mallory probes into the new murder, the ghosts of the old will not be still. She finds herself traveling in an intricately connected world of envy, greed, and lethal passions: a place where no relationship is what it seems, and the secrets, very deep and very dark indeed, strike closer and closer to home. By the end, she will come to know the truth - but the truth may be the most dangerous illusion of all.
- Sales Rank: #597314 in Books
- Brand: O'Connell, Carol
- Published on: 2010-05-04
- Released on: 2010-05-04
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.06" w x 4.25" l, .40 pounds
- Binding: Mass Market Paperback
- 400 pages
From Publishers Weekly
O'Connell's driven and sharp-edged NYPD detective Kathleen Mallory revisits a 12-year-old double murder case first investigated by her beloved adoptive father, whose death was central to her notable debut in Mallory's Oracle (1994). The murder of a second-rate performance artist in mid-performance has many associations to the earlier, grisly and still unsolved homicides, which also touched the art world. Many of the same characters are involved in both killings: J.L. Quinn, the elegantly icy critic whose niece was one of the first victims; Avril Koozeman, whose galleries were murder scenes then and now; and Emma Sue Halloran, once a critic, now a culturecrat who forces hideous art into new buildings. Mallory and her partner, Sergeant Riker, must find keys to the new killing by prying memories from these witnesses. Hampering their efforts is the desire of the police brass to keep the old case closed. O'Connell's narrative force and character development are irresistible. Although the intense and private Mallory offers little to love until late in the story, her fierce determination draws the reader into her quest. Wacky artsy types and a flawed but sympathetic Riker leaven the heavy dose of misanthropy. O'Connell also delivers a cynical, funny lesson in art marketing, which sounds here less like culture than a pretentious pyramid scheme. 50,000 first printing; major ad/promo; author tour.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
It's a bit awkward to face reviewing something entitled Killing Critics, but the critics in question here review art, not audiobooks. O'Connell's wicked send-up of the trendy art world begins with a murder in a gallery, which is mistaken for performance art. Is this case related to the grisly murder of another artist and a dancer 12 years earlier? Kathleen Mallory, last seen in O'Connell's acclaimed Mallory's Oracle (Putnam, 1994), thinks so. Noteworthy characters include a self-proclaimed "fashion terrorist" who barricades himself on Bloomingdale's roof, hurling insults at poorly dressed passersby through a bullhorn. Narrator Laural Merlington does a good job of managing the accents of the various characters, although her dialects sometimes fade. That is understandable, however, in light of the rapid-fire dialog. This recording will be welcomed in any public library.?Reilly Reagan, Putnam Cty. Lib., Cookeville, Tenn.
Copyright 1996 Reed Business Information, Inc.
From Booklist
Readers, beware! That sly (and oh so gifted) Carol O'Connell is just as cunning as her beautiful, near-sociopathic heroine, Kathy Mallory, creeping up on unsuspecting readers with softly caressing words and languidly flowing sentences, then sucker-punching them with shockingly explicit violence that's as vivid as it is grisly. In her third and most stunning book, O'Connell follows NYPD investigator Mallory, who, with the aid of old pals Riker, Coffey, and, of course, faithful admirer Charles Butler, is determined to solve the brutal "art as death" murder of an untalented but highly touted artist-critic. Mallory believes the case is the work of the same killer who, 12 years earlier, hacked a young artist and a talented ballerina to pieces. The case is as baffling and intricate as any Mallory has faced, with art critics, bag ladies, madmen, and mafioso playing key roles. Despite warnings from her superiors to butt out and back off, she persists and single-handedly solves the case. But as mesmerizing as the murder case is, it's heartless, soulless Mallory herself--computer genius, street fighter, provocative waif, peerless investigator, manipulative beauty---who's absolutely the star of this brilliant thriller. O'Connell's well-nigh flawless plotting and incandescent writing play important supporting roles, and the heart-stopping, devastating ending is worth a thousand curtain calls. Another triumph for this truly gifted writer! Emily Melton
Most helpful customer reviews
8 of 8 people found the following review helpful.
Mystery with meat...
By Cynthia K. Robertson
Carol O'Connell's Killing Critics is her third Kathleen Mallory mystery, and they just continue to get better. This book has it all: complex plot, memorable characters and some brilliant detective work.
An artist, Dean Starr, is discovered murdered in the middle of an art gallery exhibition. His death is made to look like performance art. NYPD Special Crimes Unit detectives Mallory and Ricker are called in to investigate. Twelve years previous, there was a brutal double homicide in an art gallery owned by the same man, and the circumstances are very similar. Mallory's late father, Markowitz, was on that case and although he got a confession and a conviction, he never for a minute believed that he had the right man. As Mallory and Riker find out more about this new murder, the more parallels there are to the old one. Yet, the NYPD considers the old case closed, and will not allow them to "officially" investigate. The list of suspects is very long, and there are also a good number of people who would like to see the murders remain unsolved. Those in high ranking office are vulnerable including the police commission and a state senator.
In Killing Critics, O'Connell gives us a crash course on the New York City art world, including artists, works of art, galleries, gallery owners, art shows, art critics, art patrons and art investors. It truly is fascinating. She also opens the door wider into Mallory's troubled childhood, and we better understand why she remains so scarred. All the major characters (Mallory, Riker and Butler) are fleshed out in greater detail.
Two things kept me from giving this book five stars. First, I thought it was a bit slow at the beginning, although it quickly picked up speed and the ending will blow you away. Second, I thought it stretched O'Connell's credibility to have Mallory challenge a former Olympic gold medalist to a fencing duel (she only had one semester of fencing in college). Still, these criticisms aside, this is an awesome story and O'Connell is one of the few writers who gives us mysteries with meat.
3 of 3 people found the following review helpful.
Mallory Grabs You and Won't Let Go
By Debra Thomson (thomson@meganet.net)
In Killing Critics, Carol O'Connell's lead character Kathy Mallory continues to evolve into one of the most fascinating heroines in the genre. In each of her three appearances, (Mallory's Oracle, The Man Who Cast Two Shadows, and Killing Critics), Mallory reveals slivers of her past, intriguing insights into her missing childhood, even as she regains the memories that torment her. The mystery of Mallory is as compelling as any of the murders found in these tales, and will be the reason I will keep reading O'Connell's new works. Kathy Mallory isn't finished yet, and I look forward to seeing her deal with her demons.
2 of 2 people found the following review helpful.
Killing Critics Will Slay You
By A Customer
You know a mystery is good when you can overlook some problems in the plot and still come away relishing the whole thing. Carol O'Connell's latest Katherine Mallory book Killing Critics falls in this category. The book opens with a murder that ties to a 12-year old murder, both of artists/art critics. The final solution is one so unlikely, you have to gulp and shake your head. One critic seals himself off on the roof of Bloomingdale's, as unlikely a scenario as you will find, and the plot is strangely reminiscent to one by Agatha Christie, but O'Connell miraculously pulls the whole thing off. The characters, however eccentric, come across as real, which is one key to greatness. The reader who loves detective Kathy Mallory will want to stand up and shout "Wait a minute!" when Mallory heads off out of New York at the book's end. The real mystery: is Mallory finished as a series character or will she be back in a new location? After this flawed gem, readers will clamor for more. If Ms O'Connell thinks she's going to get rid of Mallory so easily, she may find herself bumping into the legend of Sherlock Holmes... Jorge Ribeiro (jribe2285@aol.com
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