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It’s tourist season in Paradise, Massachusetts. With it comes a baffling and violent crime wave that has residents on edge. It’s also brought a mysterious figure who’s stirring up troubling memories for Chief of Police Jesse Stone—especially when it appears the stranger is out for revenge.
- Sales Rank: #34633 in Books
- Published on: 2012-10-02
- Released on: 2012-10-02
- Original language: English
- Number of items: 1
- Dimensions: 7.60" h x .80" w x 4.25" l, .40 pounds
- Binding: Paperback
- 320 pages
Review
“It's a doozy…Michael Brandman shows that the standard that Parker set is still there…it all moves at a very fast pace.”--Lincoln Journal Star
“The mysteries are solved in Jesse's inimitable style, and he even has a little time for a new romantic interest…I love it! Killing the Blues will join the other favorites on my Robert B. Parker bookcase.”--Bookreporter.com
“[An] impressive continuation of [Parker’s] series…easy, banter-filled writing, balanced with the lead's apparently limitless compassion, informed by bitter experience.”--Publishers Weekly
About the Author
Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the novels featuring Chief Jesse Stone, and the acclaimed Virgil Cole/Everett Hitch westerns, as well as the Sunny Randall novels. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010. Michael Brandman, the award-winning producer of more than thirty motion pictures, collaborated with Robert B. Parker for years on movie projects, the Spenser TV movies, and the Jesse Stone series of TV movies starring Tom Selleck. Brandman co-wrote the screenplays for Stone Cold, No Remorse, and Innocents Lost, and supervised the screenplay adaptations of Night Passage, Death in Paradise, and Sea Change. He and Selleck were executive producers of the entire series.
Most helpful customer reviews
153 of 162 people found the following review helpful.
A clear change in direction, but still Jesse...
By Don In Fremont
Your reaction to the simple existence of a Jesse Stone novel written by someone who's not Robert B. Parker will likely define your approach to reading it.
If, like me, you are a long-time reader of the late, lamented Grand Master Parker, you will be rightly skeptical. The stylistic differences, coupled with clearly different skill-sets, will be off-putting. The choices Michael Brandman makes early in the book will drive you crazy. You might want to fling the book out a window, even.
If, however, you come to Killing The Blues as an admirer of the Jesse Stone TV-Movies, on which Brandman and Parker were frequent collaborators, you'll likely be spared such self-righteous angst.
Brandman seems to be blurring the lines between book and movie continuity now, to the point that Killing The Blues is much like those "tv tie-in" books that support CSI and other long-running series. The settings and characters now resemble the movies more than previous books.
By itself, Killing The Blues is a very effective story of obssession, redemption and all the themes Parker made resonate so well. It weaves a few compelling plot-lines together pretty seamlessly. It's very entertaining crime-fiction commerce.
As summer approaches Paradise, Jesse is greeted with a new wave of car thefts, all Hondas. Clearly an organized-crime expansion into His Town to feed their chop-shop appetites. Jesse wants to stop the crimes, but the Paradise Board of Selectmen want to stop the threat to The Season, which creates some cross-purposes, and opportunities for Jesse to display his ironic aversion to authority.
Jesse hears from his old boss in L.A. A former victim of Jesse's dark past, Ruthless Thug Rollo Nurse, has been released, and word has drifted that Jesse will be his target. The cat-and-mouse between Jesse and Rollo form the core of the book's narration. The other threads of Brandman's story weave around it, and provide nice balance.
When Parker died, Jesse seemed headed towards a really fun relationship with Sunny Randall. That's "resolved" rather quickly, so we can watch Jesse do the dance with Alexis Richardson, neice of a town Selectman, and PR person. She wants to launch a Rock Festival in town. Sparks fly, take-out is consumed, frolic ensues.
As Jesse gets close on the car-thefts, Rollo arrives and begins to work his twisted revenge scheme on Jesse. Brandman stages these quite well, creating some real loin-girding moments for us. He also does good work in forcing us to observe Rollo's psychosis as a result of Jesse's Great Flaw. It'll keep ya thinking.
Brandman also takes a trendy whack at school bullying, starting and finishing an episode at the local Junior High providing some character beats for Jesse, but nothing significant beyond them.
So, for Parker fans, what's missing? The obvious is that Parker wrote human dialogue better than almost anyone, so anyone else using the characters is going to suffer by comparison. There's also a marginalization of Molly Crane that is saddening. She's there for comic relief, but the banter between her and Jesse is just functional, totally lacking Parker's insightfulness. She is, here, a reflection of the TV version.
And there's the whole commercial orientation. Parker loved to make money, of course, but he always had something on his mind, and used his characters to flesh out those thoughts. Brandman has a whole other direction here, and it occasionally disrupts the reading experience.
However, anyone getting too high on their horse should remember, in literature, characters always live on. Parker wrote a Philip Marlowe by himself (Perchance To Dream), after finishing Chandler's Poodle Springs, and it was huge fun. Jeffrey Deaver just published a James Bond novel. Ace Atkins (YAY!) will pick up the Spenser series. The key is how involved the Parker estate remains in the execution of these series. That influence will determine the quality of future installments primarily by ensuring selected authors stay true to what made the characters worth continuing in the first place.
So, get Killing The Blues, have fun with it, be wistful, and enjoy the ride. It's what Parker would've wanted us to do.
64 of 71 people found the following review helpful.
I Wish This Was Not Written, But......
By Peterack
I will admit I was, and am an avid fan of the PARKER written Jesse Stone books. In fact as his series' got into their later incarnations I enjoyed the Stone stories (except for one) better than the later Spenser tales. Having said that there was a part of me that was excited that the books would go on, but a larger part of me dreaded the idea.
When I heard that this new author (of "Killing the Blues") worked on the Jesse Stone tv movies I was REALLY dreading this novel, and what at first looked like my prediction coming true, ended up being a nice surprise.
At first glimpse over the opening pages (or the Kindle sample) I began to fear the worst....as in quick order the "book" Jesse/Paradise, was slightly skewed so that it resembled more the "tv" Jesse/Paradise. The slight changes (no big spoilers here as this is in the first few pages) include Jesse moving from his apartment to a rental house on an inlet across from a bridge, his romance with Parker's other character, Sunny Randall, is on ice as she is now working long term on a case in England. A slight change that is difficult to miss, is that the writing style is vastly different, and this is both bad and good. The negative is that it does not have the same "feel" of the shorter chapters that end with some sort of one liner. The positive is that the author pays more attention to the story...let me rephrase that, stories - as there are multiple plot lines that kept me engaged.
Once I got past the differences and recognized that there were not to be any more and any vast changes I began to enjoy the book, and again there was much in the plot to enjoy. A released criminal from L.A. is out for revenge and causing havok in Paradise. There is a school hostage sitation and the fall out from that, and a mob element that is muscling in, using Paradise as its home. In a Parker novel, one of these might be the only plot, so I found the book rich and engaging with much to keep the story moving forward.
Having said that, there were some significant alterations that might bother some more than it did for me, though it was nice to finally get away from some of these..(Minor Spoilers this paragraph)....Jesse no longer has a dog, but a cat adopts him, which seems very un Jesse-like. In addition his wife, Jenn, is hardly mentioned, and makes zero appearance in this book...not even a phone call, so that hang up seems to be over, which while out of character for these books does serve as a relief to those of us readers who were tiring of that never ending loop. Finally, Jesse's drinking is no longer a problem. He has a scotch or beer occassionally in the book, but there is no wrestling over how many, etc. - they just seemed to take the "issue" away so he no longer has a problem (though the problem did exhist because his past treatment of a criminal is part of this book's plot).
I was surprised by the end at how much I enjoyed this book. If you are fan of the series and can get through some of the alterations you may end up liking it too. Unlike other reviews on this page, though, you might want to read it first, before putting forth your final judgement!
37 of 40 people found the following review helpful.
Please stop Michael Brandman before he kils again
By P. W. Peterson
Jesse Stone was a Robert Parker character because he spoke sparingly, didn't tell everyone everything he knew, and SHOWED us his character through his actions. A complex character, to be sure, but you always wanted to know how things were going to turn out--in the plot and for Jesse. This book is the opposite of that style. The author doesn't show you what's happening. Instead, he tells you with a million little contrived backstories, inartfully inserted so as to break the narrative drive. Also, it's a swamp of pop-psychology adjectives and behavior and pretty much every character in it is made out of low-grade cardboard. And the sexual attraction between characters was apparently ordered from the Acme Company.
Don't encourage this type of thing. Don't buy this book. Tell your Parker-loving friends not to buy this book. If you must, leaf through it when it appears (in hardcover or paperback) in the remainder pile at some bricks-and-mortar bookstore. You'll see what I'm talking about.
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