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Edgar® Award–winning author Aaron Elkins’s creation—forensics professor Gideon Oliver—has been hailed by the Chicago Tribune as “a likable, down-to-earth, cerebral sleuth.” Now the celebrated Skeleton Detective is visiting friends at a vineyard in Tuscany when murder leaves a bitter aftertaste…
When Gideon Oliver and his wife, Julie, are in Tuscany visiting the Cubbiddu family, the renowned Skeleton Detective is asked to reexamine the remains of a mysterious family tragedy. Pietro Cubbiddu, former patriarch of the Villa Antica wine empire, is thought to have killed his wife and then himself in the remote mountains of the Apennines. It does not take long for Gideon to deduce that, whatever happened, a murder-suicide it was not.
Soon Gideon finds himself in a morass of family antipathies, conflicts, and mistrust, to say nothing of the local authority’s resentment. And when yet another Cubbiddu relation meets an unlikely end, it becomes bone-chillingly clear that the killer is far from finished…
- Sales Rank: #528800 in Books
- Published on: 2013-12-03
- Released on: 2013-12-03
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .75" w x 4.20" l, 1.00 pounds
- Binding: Mass Market Paperback
- 304 pages
From Booklist
*Starred Review* The latest in Elkins’ Edgar-winning Gideon Oliver series delivers another delicious blend of forensic science and a to-die-for setting. Part of Elkins’ appeal is the way he gives intriguing facts and travel tips for exotic or romantic settings. This time it’s Florence and the vineyards of Val d’Arno. When Oliver, a forensic anthropologist and professor at the University of Washington, gives a lecture at an international symposium in Florence on how skeletal remains can help solve murders, the local cops offer to take the class to view a set of bones, remnants from a murder-homicide solved the preceding year. Or was it? As usual in this series, the bones speak to Gideon Oliver in ways that the cops missed, and in ways the reader will find both compelling and convincing. The bones belong to the wife of another victim, her husband, whose body was cremated. This husband and wife (here comes the plot stretch) were the heads of a wine-making clan that Oliver and his wife were scheduled to visit. Oliver’s intensive forensic exam, plus his questioning of the relatives after he and his wife are ensconced in the family home, totally upends the police conclusions. The family turns out to be as tricky as the Borgias, and the motives for murder elbow each other for precedence. Much about wine, Florence, forensics, and evil. Great bouquet. --Connie Fletcher
Review
“No one does it better than Aaron Elkins.”—The San Diego Union-Tribune
“The whole world is Gideon Oliver’s playing field in Elkins’s stylish mysteries.”—The New York Times Book Review
“Evocations of Tuscany and a lively cast of supporting characters, notably feisty police lieutenant Rocco Gardella, balance the cerebral investigation with charm.”—Publishers Weekly
“Delivers another delicious blend of forensic science and a to-die-for setting…The family turns out to be as tricky as the Borgias, and the motives for murder elbow each other for precedence. Much about wine, Florence, forensics, and evil. Great bouquet.”—Booklist (starred review)
“Aaron Elkins’s charming Gideon Oliver series—the celebrated ‘Skeleton Detective’—moves to Italy in this solid entry…[Elkins] infuses the story with details about winemaking, describing it so well we can almost taste the barrel-aged vino. For mystery lovers, Dying on the Vine is indeed a tasty treat.”—Mystery Scene
“It’s nice to see Gideon back in southern climes enjoying the good life.”—Kirkus Reviews
About the Author
Aaron Elkins is the author of the Edgar® Award–winning Gideon Oliver Mysteries as well as his most recent novel, The Worst Thing. He lives with his wife, Charlotte, on Washington’s Olympic Peninsula.
Most helpful customer reviews
16 of 16 people found the following review helpful.
Delightfully dry, witty, complex, full-bodied, with overtones of gunsmoke and forensics, but with a somewhat thin finish
By Jonathan A. Turner
Aaron Elkins remains the finest writer of classical mysteries working today. (His only competition is Steve Hockensmith--another funny, west-coast, Sherlock-Holmes/Basil Rathbone devotee.) Most of _Dying on the Vine_ is a typically great read: it's funny, it's intriguing, it's well-paced, it has a great sense of place, and the characterization is just right. Where it falls down a bit, surprisingly, is in the climax.
The central puzzle of the story is to make sense of the forensic evidence. There are two problems with how that puzzle is worked out:
1. The killer's reason for doing what he does is both baroque and ineffectual. It's a complex way of achieving something that's not very complex. (See comments below for a slightly more spoiler-ish explanation.)
2. More seriously, the solution to the puzzle isn't really involved in the solution to the mystery. The murder is cleared up half-offstage, via police legwork and some evidence that's not given to the reader. Gideon Oliver, it turns out, could have left the scene two-thirds of the way through, and the ending would have been more or less the same.
Nonetheless, I enjoyed reading this book *a lot*. Aaron Elkins is never less than a careful, polished, and entertaining craftsman. He's got a beautiful slow build to the central revelation, a nice circle of suspicious characters, some snappy dialog, and a great settings. The plotting is stylish and cerebral: the "action" of the book consists of intriguing discoveries, not fistfights.
None of this should surprise long-term Elkins fans. If you're one of them, definitely buy this book (but don't read it while you're hungry).
If you're new to Elkins, I'd suggest not starting here. Try _Twenty Blue Devils_--which has a similar setup, but a very different punchline--or _Uneasy Relations_. Most modern mysteries are tiredly hardboiled, egregiously cutesy, or gimmicky (the detective is ... the Pope!). Elkins is for those of us who are in the pure-drop tradition. This isn't his best, but it's better than most of what's out there.
9 of 10 people found the following review helpful.
This Book Definitely Died
By A Rochester
First I am going to tell you what this book was supposed to be about.
Location is Tuscany. The main characters are a Carabinieri Lieutenant
and an american anthropologist who are thrown together in an unofficial
capacity. They begin to investigate skeletons believed to be a husband, wife,
murder suicide. It was very hard to determine the plot. Most of the characters
were extroverts. This got very boring. There was too much unrealistic
conversation. Everybody was wise cracking, joking and trying
to sound sophisticated. Again it was boring. Every person in this book
ate all of the time. There were very few pages without extensive eating.
If all of the food, jokes and extemporaneous conversations
were blacked out with a marker, there would be no book. Another
thing that drove me nuts was the authors trick of putting off telling
the reader the latest big discovery. There was always a silly interruption,
such as the food is hot I have to eat now. I became very frustrated with this book.
6 of 6 people found the following review helpful.
I'd Like Some Mystery with My Meals
By Tom G
This book has good plotting and excellent character development. It has two annoying features. First, it talks endlessly about meals and who ate what and who the hell cares. Once or twice would be ok but it seems half the book is spent in one restaurant or another. Boring! Another annoyance is the long winded dialogue occurring every time Gideon is about to reveal a clue from the bones. It goes on for page after page of characters trying to coax the information from the great genius. This was really tiring. I could enjoy one of those Italian lunches and two coffees while waiting out the excess talk. Where was the editor?
I can't recommend this book despite its good use of locale and characters. If 1/3 shorter it would be a much better book.
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