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The Girl in Alfred Hitchock's Shower (Berkley True Crime), by Robert Graysmith
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Marli Renfro was Janet Leigh's body double in the Hitchcock classic Psycho. When she disappeared, it was believed she was the victim of a serial killer. It was a mystery that took decades to solve-and a crime that could only have happened in Hollywood.
- Sales Rank: #269797 in Books
- Published on: 2011-02-01
- Released on: 2011-02-01
- Original language: English
- Number of items: 1
- Dimensions: 6.71" h x .93" w x 4.21" l, .45 pounds
- Binding: Mass Market Paperback
- 352 pages
From Publishers Weekly
Graysmith (Zodiac) mixes film history, true crime, and autobiography with disappointing results in this scattered exploration of the woman behind one of cinema's most memorable scenes. Though his goal is ostensibly to track down Marli Renfro—Janet Leigh's body double in Alfred Hitchcock's 1960 film Psycho—who some believed was raped and murdered in the 1980s, Graysmith takes too long getting there. Detailing the intricate Psycho shoot, which was painstakingly designed by Hitchcock in order to both shock the audience and pass the rigorous censor test, Graysmith introduces readers to Renfro, a gorgeous redhead who came to the film via modeling, some of it nude. Interspersed with Renfro's experiences as an actress, Playboy model, and dancer is an account of the life and crimes of Henry Sonny Busch Jr., a Norman Bates–look-alike in L.A. who strangled three women and had a penchant for Psycho. Graysmith, comparing his own growing obsession with Renfro to the plot of the 1944 film Laura (where the detective also falls for a dead woman after seeing her photograph), is determined to discover what really happened to her. As sloppy as Hitchcock's shower scene was precise, Graysmith's jumbled account never finds its footing, despite the fascinating subject matter. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Robert Graysmith is the New York Times bestselling author of seven true crime books including Zodiac, Zodiac Unmasked, The Sleeping Lady, Auto Focus, and Amerithrax. He was a San Francisco Chronicle Journalist and cartoonist for twenty years, during the time of the Zodiac killings. In addition to being a bestselling author, he has been a Foreign Press Club Award winner, a Pulitzer Prize nominee, a prize winning syndicated political cartoonist, and a gold medal illustrator. He lives in the San Francisco Bay area.
Most helpful customer reviews
5 of 5 people found the following review helpful.
You don't need me to tell you
By Popeye
I agree 100% with the negative reviews. To call this book disjointed and unorganized would be misleading. It isn't even up to those standards. I honestly can say that I have no idea what the author was aiming for, because he jumps from one thing to another with no apparent logic. Calling this mess a waste of time is too kind, because it doesn't deserve any classification whatsoever, really. Judging this book by it's cover is a compliment, because the title is the only thing that is interesting.
3 of 3 people found the following review helpful.
generally jumbled, annoying read, although with some fascinating nuggets
By William T. Wiggins
The confusing setup for this book goes like this: a nude model was used as a body double for Janet Leigh in the famous PSYCHO shower scene. Another woman (Myra Davis) served as Leigh's stand-in (for lighting setups, etc; never on-camera) during the filmi...ng. The double (Marli Renfro) had a brief, curious career as a pinup model, casino showgirl, Playboy club bunny and general bon vivant in the early '60s before retiring into obscurity. The stand-in was tragically murdered in 1988, but news reports confusingly identified her as the body double. Meanwhile, a serial killer that may have had a PSYCHO-style "mother complex" murdered a bunch of older women in Los Angeles in 1960. This is not the same man that killed Myra Davis in 1988.
These are several interesting storylines. No doubt the author thought he could weave them in and out and make a great cohesive story which touched on each one. Sadly, it doesn't really work at all. Things are not aided by the choice to hop back and forth between stories throughout the book, a very disconcerting conceit. By far, the most interesting aspect of the book is the deconstruction of the historic shower scene: whenever Graysmith is discussing the issues and tidbits surrounding it and other aspects of the PSYCHO shoot, the book is riveting. We learn how Hitchcock cleverly acquired the story rights on the cheap, how he financed the film himself, how he utilized his TV show's technical crew, how he re-invented himself to compete with the likes of Roger Corman and William Castle. But mostly, the nuts and bolts of the week-long filming of the shower scene are dissected, analyzed, laid bare. I was really surprised at the level of creative planning and logistics (both artistic and techincal) that the scene required. This was not just another girl-being-murdered scene in a fright flick; it was designed to be a work of art, a show-stopper. And it certainly is: Graysmith argues it's the single most famous scene in movie history, and that may be true indeed.
We learn of the Hollywood tradition of not crediting the body double in a scene like this: doing so would diminish Leigh's performance to some, and would rob the scene of much of its illicit thrill (a Hollywood star in the nude right before our eyes!). As such, Marli Renfro remained under-the-radar despite persistent rumors about her part in the film. The book goes into great detail about Renfro's life, but more importantly, her lifestyle. The author seems genuinely fascinated by the beautiful red-haired pinup girl, and gushes breathlessly about her many jet-setting and glamorous adventures. We are told of interviews and parties with Hugh Hefner, horseback rides with Steve McQueen, dates with wiseguys and hitmen. Also, great care goes into describing her many nude modeling sessions and her supreme poise and professionalism during same. Frankly, it's a little embarassing, and these parts of the book seem more like a schoolboy's mash note than a dispassionate history.
Oh, and then we have the out-of-leftfield inclusion of the 1960 serial killer. It's written like a thriller novel--we are privvy to the killer's thoughts and conversations as if we are inside his head. The man apparently had a mother fixation like Norman Bates, and the murders coincided with the LA premiere of PSYCHO. A separate book about these murders might have been interesting, but it would have to be a fictionalized account I guess, in order to provide such first-person details ... but then what's the point? This part of the book's "narrative" was totally uninteresting to me, and seemed really out of place in the book.
Oh, and ALSO, the part about the stand-in being murdered and identified as the body double .... that happens about 5 pages before the book ends. So all along we are reading about Renfro's life story as if she is dead, to find out she is alive and well .... I think this is what happened to the author personally as he researched the book, so he makes us suffer the same "twist" ending he had in real life. I guess that's clever, but it really annoyed me, made me feel as if I had been tricked. Are you telling a history or a shock story? Furthermore, are you relying on interviews and archived facts or just "imagining" what a killer is thinking? The book wants to have it both ways.
I think a book about the shower scene itself -- that touched on Renfro's intriguing lifestyle, and touched on the mistaken identity between Davis/Renfro -- would have been a much more interesting read (for me, anyway). As it is, THE GIRL IN ALFRED HITCHCOCK'S SHOWER is a generally jumbled, annoying read, although with some fascinating nuggets strewn here and there to save it from being a total loss. 2 1/2 out of 5 stars.
3 of 3 people found the following review helpful.
Obsession
By JMack
I really would like to write a glowing review of this book, but I am just not able to do so. The concept of this book, even with the payoff at the end, is a fairly solid premise. The execution of the premise makes me wonder how the book found a willing publisher.
The story basically centers around Marli Renfro, the body double in Alfred Hitchcock's Psycho. It is implied that something tragic happened to her, particularly as the chronology evolves. Parallel to Renfro and the film, the story of convicted killer Sonny Busch is told. His killing frenzy is apparently exacerbated by the film. The connection between the two stories is somewhat thin, then disappears. Mixed in to these stories is the history of "Nudie Cutie" films, Francis Ford Copola, and the early history of Playboy. Straying so far into these areas tells me that the author did not collect enough information to write a quality book. Going a step further, the author inserts himself into the story with his obsession with Marli Renfro. Thus, the book is part true crime, part Hollywood history, and part memior. It seems the story has an identity crisis.
The book is categorized as true crime so it obviously involves murder as stated earlier in the review. Interesting 1950's Hollywood facts are also included in the book. Between the scattered plot and the twist at the end, it is easy to understand why there are so many negative reviews for this book.
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