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The Help, by Kathryn Stockett
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Three ordinary women are about to take one extraordinary step.
Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.
- Sales Rank: #171524 in Books
- Brand: Penguin Group Usa
- Published on: 2011-06-28
- Released on: 2011-06-28
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.09" w x 4.98" l, .90 pounds
- Binding: Paperback
- 544 pages
- Great product!
From Publishers Weekly
Starred Review. Four peerless actors render an array of sharply defined black and white characters in the nascent years of the civil rights movement. They each handle a variety of Southern accents with aplomb and draw out the daily humiliation and pain the maids are subject to, as well as their abiding affection for their white charges. The actors handle the narration and dialogue so well that no character is ever stereotyped, the humor is always delightful, and the listener is led through the multilayered stories of maids and mistresses. The novel is a superb intertwining of personal and political history in Jackson, Miss., in the early 1960s, but this reading gives it a deeper and fuller power. A Putnam hardcover (Reviews, Dec. 1). (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
In writing about such a troubled time in American history, Southern-born Stockett takes a big risk, one that paid off enormously. Critics praised Stockett's skillful depiction of the ironies and hypocrisies that defined an era, without resorting to depressing or controversial clich√©s. Rather, Stockett focuses on the fascinating and complex relationships between vastly different members of a household. Additionally, reviewers loved (and loathed) Stockett's three-dimensional characters—and cheered and hissed their favorites to the end. Several critics questioned Stockett's decision to use a heavy dialect solely for the black characters. Overall, however, The Help is a compassionate, original story, as well as an excellent choice for book groups.
From Booklist
Jackson, Mississippi, in the early 1960s is a city of tradition. Silver is used at bridge-club luncheons, pieces polished to perfection by black maids who “yes, ma’am,” and “no, ma’am,” to the young white ladies who order the days. This is the world Eugenia “Skeeter” Phelan enters when she graduates from Ole Miss and returns to the family plantation, but it is a world that, to her, seems ripe for change. As she observes her friend Elizabeth rudely interact with Aibileen, the gentle black woman who is practically raising Elizabeth’s two-year-old daughter, Mae Mobley, Skeeter latches ontothe idea of writing the story of such fraught domestic relations from the help’s point of view. With the reluctant assistance of Aibileen’s feisty friend, Minny, Skeeter manages to interview a dozen of the city’s maids, and the book, when it is finally published, rocks Jackson’s world in unimaginable ways. With pitch-perfect tone and an unerring facility for character and setting, Stockett’s richly accomplished debut novel inventively explores the unspoken ways in which the nascent civil rights and feminist movements threatened the southern status quo. Look for the forthcoming movie to generate keen interest in Stockett’s luminous portrait of friendship, loyalty, courage, and redemption. --Carol Haggas
Most helpful customer reviews
135 of 148 people found the following review helpful.
Black Southerner Praises "The Help"
By AtlantaReader
To the white critics who say the book tells lies about how blacks were treated during this era and to my brothers and sisters who think it's racist for a white Southern woman to tell this story I can tell you, first hand, the words on these pages are very, very real.
I am an African-American woman who was raised in the South and my mother's mother was "The Help" her entire life. Like the character Aibileen and other maids in the book, she lived a double identity. During the day she was "Georgia," a fixture in the home of Southern whites on Lookout Mountain, Tenn. At night she was a smart, witty mother of two girls and wife to an overworked/underpaid bricklayer. Together, they sent their two daughters to college and, like many offspring of domestic workers, those girls went on to become members of America's first post-segregation black middle class.
I grew up in Atlanta in the late 1960s and 1970s... I was educated with white kids who were in denial. They said "slaves were happy." They froze up at the mention of race and then did racists things minutes later. I recall one white "friend" at the age of 13 asking me, out of the blue, if I "had ever been N.... Knocking?" What is that, Anita? "Oh," she said, "that's when you go on Halloween around to the houses and say 'N.. Knocking! N... Knocking! and then you run!'" The memories are plentiful....
So, if you want to read an authentic story about life in the South during the early 1960s, read "The Help."
It simply speaks the truth, whether you can handle that, or not.
50 of 53 people found the following review helpful.
The Mystical Magical Negro
By S. Weathersby
When I first heard about this book, I felt some apprehension about reading it as I often do with books about black people, written by a white person. I tried to avoid it, but then the nice (white) ladies in my exercise class started buzzing about it, so I knew I had to read it. Then my book club made it our selection for November.
I will say that I enjoyed the book, loved the characters, especially Minny and Celia. I laughed and cried and got anxious along with Skeeter and Aibilene when their book came out. It's a story of bravery of women in Mississippi in the 60's, from different backgrounds coming together to bring about a change.
BUT...and this is where my apprehension comes in as with many books about black people written by white people...sometimes the heroine is too wise, too perfect, and the white people in the story are one extreme or the other, either too patronizing or too evil. The black person's whole purpose in the story becomes solving the life issues of the white heroine.
The black heroine starts to fit the stereotype of the "Mystical Magical Negro" that Spike Lee talked about in his lectures on film. Aibilene becomes another Boatwright sister from the Secret Life of Bees. Consider also Sydney Poitier's character in the Defiant Ones, Michael Clarke Duncan's character in the Green Mile, Whoopi Goldberg's character in Ghost. There are many others.
OK, it makes a good story, enjoyable cinema. When they make The Help into a movie, it will provide work for a lot of black actors. And I'll be there in the theater opening week, booing and hissing Hilly Holbrook.
I was going to excuse Kathryn Stockett's patronizing until I read her Postscript. She said she wished she had asked her family's maid before she died what it was like to be black in Mississippi. I remember the 60's when I attended a mostly white college in New Jersey after growing up in the Jim Crow South. One of my classmates asked me what it was like to be black. My response was, "Compared to what?"
62 of 67 people found the following review helpful.
The Help needed help
By Sheldon Laskin
I liked much of this novel but can't say it is a great book. The main problem is that the author never found a consistent tone for the novel. I call this the "reverse Irving" effect. John Irving is a master at underscoring the ultimate horror in his novels by initially setting a very humorous tone and then suddenly shifting gears. Comedy to horror works; horror to comedy does not. The Help early on does manage to convey the fear of being either an "uppity" black or a pro-civil rights white in the South of the early '60's. But the author throws that away by interjecting humor (childish, bad humor at that), starting with the fundraising gala. The book just loses all credibility at that point. The "dramatic" confrontation between Celia and Hilly at the gala is just silly and the Terrible Awful is ridiculous. While it was apparent that the Constantine story would have something to do with her daughter, the resolution of that plot line lacked all credibility -- this is the early 60's, not the late 60's and the daughter came across as a Black Power radical about five years too soon (speaking of authenticity, no Jew would ever describe Christmas by saying "we call it Hanukah" as Stein did to Skeeter).
Also, the author's treatment of Celia is puzzling, given that this is a book about prejudice and stereotyping. As written, Celia just confirms all cliches about poor, white trash -- her brains are entirely in her boobs. I wanted to see Celia really see Hilly for what she was at the gala, not kiss her ass. Similarly, it is inconceivable to me that Skeeter would care for a nanosecond that Hilly and Elizabeth had dumped her -- she had already moved far beyond them by that point.
Finally, and this may be a bit unfair, but my feeling all along while reading it is that this book was written forty years too late. One of the things that makes To Kill a Mockingbird so enduring is precisely that it was written at the time; as such it was a gutsy book to write, and the writing of it shaped history. The Help is "merely" an historical novel -- not terribly courageous to write now and with no new insights on the times about which it deals. In forty years, people will still be reading Mockingbird. But not The Help.
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